Triton Mobley is a new media researcher using critical methodologies and applications of computational practice to visualize and mediate matters of labor, class, technology, and working poor experiences.

Triton’s interventionist installations have been exhibited at Museum of Contemporary Art Arlington, CURRENTS Virtual Festival, Geidai Games Online at Tokyo University of the Arts, Art Basel Miami, and Microtonal Music Festival.

His research has been presented at the International Symposium on Computational Media Art at City University of Hong Kong, the (IM)POSSIBILITY conference at Harvard, Urban Assemblage: The City as Architecture, Media, AI and Big Data at University of Hertfordshire, Limit/No Limit Conference at Sorbonne Université, and most recently at Intermedial Connections: Impurity in the Arts Conference at Lisbon Polytechnic Institute.

Triton Mobley’s published works include Volumetric Black: Post-Cinematic Blackness, a book chapter in Materializing Digital Futures: Touch, Movement, Vision and Sound [T. Cinque and J. B. Vincent, Eds.], DEEP. FAKE. BLACKNESS. included in the photo journal series Pounds Per Image. [S. Ebner, B. Schroeder and K. Kelly, Eds.], and Infrastructural Architectures: Land [Dis]Trust, featured in the latest issue of Techniques Journal [T. Lewis and N. Tork, Eds.].

Triton is a 2023-24 Rhode Island Foundation’s MacColl-Johnson Fellowship finalist and was awarded a Surf Point residency in Maine.

Triton holds a MFA in Digital+Media from the Rhode Island School of Design and a PhD in Media Arts + Practice from the University of Southern California. He is Assistant Professor of Computational Art Practices [Studio Arts] + Film & Media Studies [English] at the University of Pittsburgh.